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HT2609 - Creativity Is a Private, Personal Thing |
Maybe I'm just stubbornly resistant, but I find I simply cannot get excited about suggestions from other people about what I should photograph or how I should put together a project. I think of creativity as a very private and personal activity that is carried out in a space that is strictly my own. Maybe I'm missing something here, but I found this to be true my entire creative life. |
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HT2610 - There Will Always Be One More Tweak |
Pablo Picasso famously said that the trick in painting is knowing when to stop. I think this is true in photography as well. There will always be one more tweak we can make to an image to improve it. And when we think we have it perfect, with the passage of time, we'll realize there is one more thing we could do. Ad infinitum. Perfection will always elude us because it's a constantly moving target. At some point, we must be willing to accept "good enough" and let go of the pursuit of perfection. |
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HT2611 - My Medium Is Better Than Yours |
| The word "photography" is an umbrella term that includes dozens of different means of manifestation and distribution of an image. From daguerreotypes to digital prints, from lantern slides to web galleries, technology has provided us with dozens of ways to create a "photograph." Which of these are the most admired, most collectible, most respected of the various imaging technologies? Silver gelatin or platinum/palladium? Analog or digital? Or is this an incredibly silly question? |
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| HT2612 - Photography and the Visual Arts |
One of the biggest mistakes of my youth was focusing my efforts exclusively on photography and ignoring the other visual arts. By defining myself so narrowly as "a photographer," I have missed so many opportunities to see and study other visual media. How can we be photographers and not be interested in etchings, pen and ink drawings, wood block prints, linoleum cuts, and of course painting? |
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HT2613 - My Favorite Lightroom Tool Is... |
I haven't counted, but I wouldn't be surprised to learn there's about a gazillion tools in Lightroom that can help us refine and finesse our images. Some of them I never use, and some of them I'm sure I don't know about. There is, however, one tool, that I use on almost every image. No, it's not Exposure, not Clarity, not Texture, not Crop and Rotate. It is (drum roll, please) ... |
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HT2614 - What You Should Do |
Perhaps there is no deadlier advice from a workshop instructor, mentor, or master photographer, than their statement about what you should do with your photography. I've learned countless things from photographers who have told me what they do and leave it for me to pick and choose what parts of their creativity might be applicable to mine. On the other hand, I've learned essentially nothing from instructors who tell me how I ought to make my pictures. |
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HT2615 - Beyond Place or Moment |
You may recall my Editor's Comments in LensWork #173, Projects as Wall Art. I have another observation about this that I missed until recently. An image on the wall says something about a place or a moment. A project of a dozen images or so says something That is neither about a place nor a moment. My current project on the wall consists of 13 images of snow scenes that says something about snow and winter that I'm not sure I could accomplish with just one image all by itself. |
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HT2616 - My Serious Camera |
A troubling mindset that I have difficulty discarding is that I think of my gear as either serious or, well, not. With my serious camera, I work more intensely, with a deeper concentration. I also have a more portable, but fully capable camera that goes with me everywhere. For some reason, I can't seem to use that camera with the same intensity as my serious gear. I must let go of this prejudice. |
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