September 2025 |
October 2025 |
November 2025 |
Below are the three most recent Here's a Thought . . . commentaries
You can have access to all 2,400+ commentaries
and that's just the tip of the iceberg — see what else you are missing!
Become a member of LensWork Online — 30-day Trial Membership is just $10
Or, Show your appreciation for this free content with a donation. Thanks! |
Sunday |
Monday |
Tuesday |
Wednesday |
Thursday |
Friday |
Saturday |
Show your appreciation for this free content with a donation. Thanks! |
|
|
|
1
HT2397 - What You Can Do |
The Greek philosopher Heraclitus advised us that the only constant is change. This is so true in our creative and artistic lives. When I hit the road for my great travel adventure in 2021, I had to give up production of things like folios because I didn't have my studio. Rather than have that interruption to my creative life, I found it useful to adapt to what I could do rather than to bemoan the loss of what I could no longer do. The operative question is always, What can I do with that? |
|
2
HT2398 - Food Clothing, and Shelter |
In my twenties I work for the 9th largest retailer in the United States, a company called Fred Meyer, located in the Pacific Northwest. Mr. Meyer had a fascinating philosophy. He observed that everybody needs three things: food, clothing, and shelter. Everything else is a luxury. I suppose that includes photography. It's an uncomfortable reality for us photographers but no one needs what we produce. At the same time, making art is one of the most important activities we can pursue. |
|
3
HT2399 - My Theory on Locations |
I continue to believe that location is an overrated commodity in photography. Perhaps this doesn't prove my idea, but in the last month on the road I've captured images for 15 small projects from 13 different locations I never anticipated or never knew existed. |
|
4
HT2400 - The Importance of Being Thick-skinned |
Photography at times can be so cruel. Our best plans can evaporate in technical failure. Our precious artwork can be rejected by a monstrous editor. Ahem. The work we love like children can leave others cold. No one said the life of an artmaker would be lollipops and rainbows every day. To quote one of my favorite lines from The Princess Bride, "Life is pain. Anyone who says differently is selling something." |
|
5
HT2401 - Where the Mona Lisa Was Painted |
Photographers are compelled to include location information in their image captions. Why? Does the viewer need to know this? Maybe we should reveal the location where the image was printed. Or the date we signed it. Or who was with us when we framed the print. Or how old we were when we photographed it. Or who our travel agent was to the exotic locations we visited. Which information will do the most to connect our viewer with our artistic intent? |
|
6
HT2402 - Has photography become too easy? |
What are the implications when thousands of photographers are making tens of thousands of spectacular images? What happens to the value of accomplishment when the product ceases to be rare? The photographic priesthood has dissolved. In its place we have a perfectly democratic medium. This is a good thing for the simple reason that it will refocus our efforts toward meaning and content rather than impressive technological accomplishments. |
|
7
HT2403 - Sales Are Not a Measure of Success |
Unless, that is, your objective with photography is to provide an income. When someone tells me it's their best-selling image, what I hear is that this is the most expected, most cliché, most common photograph they've made. This does not mean that your worst selling photograph is your most personal, most unique, most treasured photograph that you've made. |
|
8
HT2404 - From the Overlook |
I was recently at a scenic overlook where there were quite a number of others using what appear to be fairly modern digital cameras and long lenses. It occurred to me that probably all of them, or at least almost all of them, would end up with a very lovely photograph. The light was beautiful, the view from overlook was breathtaking, and their cameras quite capable. A lot has changed in the last 50 years of photography. |
|
9
HT2405 - I Am Not a Landscape Photographer |
Don't get me wrong, I do photograph the landscape. But the purpose of my landscape photography is not to make a statement about the landscape but rather to use the landscape as it means to explore other ideas. For example, I have a project that is solitary trees in a vast landscape. The project is not about the solitary trees, but about how I was feeling after my wife passed away. Photography as metaphor, as Minor White advised us to photograph what else it is. |
|
10
HT2406 - GPS EXIF Data |
I can connect my cameras to my cell phone in such a way that each image I photograph records the GPS information from my cell phone into the ex of data of the image file. For some time now, I thought that was a pretty neat trick. But I've come to realize I never used that data, not even once, and the extra drain on my camera batteries is inconvenient. So, I've stopped capturing GPS data and haven't missed it a bit. I'm sure for some of you it's incredibly valuable, but for me it's turned out to be superfluous and completely unnecessary. |
|
11
HT2407 - Paul Strand |
Paul Strand has been a favorite of mine for over 50 years. Three of his books are in my top 10 all-time favorites list. Time in New England (1950), Un Paese (1955), and Tir a'Mhurain / Outer Hebrides (1962). One of the aspects of his work that I love is the mixture of portraits, architecture, life style, landscape, and nature — all in the same project. |
|
12
HT2408 - Viewer Fatigue vs Disinterestedness |
We've probably all had the experience when showing a body of work that the viewer doesn't complete the entire project from start to finish. Does this mean they've lost interest somewhere along the way? Or is it possible that it's viewer fatigue and they've simply absorbed as many images as they can? |
|
13
HT2409 - The Unrecognized Masterpiece |
Earlier this year I was reading a book on creativity and the author proposed that even the best creators and artists rarely are aware they are producing a masterpiece. Instead, they just create and work to the best of their abilities and don't give attention to whether or not their results are a masterwork. |
|
14
HT2410 - The Unexpected Project |
Some of the best advice I've ever heard came from a workshop instructor from my early days in photography, Stewart Harvey. He said the best photographers are ones who spend the most time photographing. He also said that the word "photographer" is a verb. He also said, turn around — which is incredible sage advice for photographers. |
|
15
HT2411 - Fleeting Ideas |
It's said that Charles Dickens during his long meandering walks through London, would always carry with him a notebook. He would jot down descriptions of interesting places he saw. He would capture interesting phrases people used or their accents and ways of speaking. He would then refer to these notes while he was writing his novels, using the little snippets of conversation he had overheard. Not a bad idea for us photographers, too. |
|
16
HT2412 - The Crucial Missing Element from So Much of Fine Art Photography |
One of the most common reactions I have when I see great artwork is that I cannot comprehend how it was done. There is some magic in the fact that it exists which leads to wonderment about how the artist accomplished it. People used to feel that way about photography, too, but now the magic in photography is so easily dismissed with "It's been Photoshopped" whether that's true or not. |
|
17
HT2413 - Waiting for the Light |
Yesterday, I was at a terrific location for high altitude mountain photography. The scene was lovely, the rocks majestic, and the snow a perfect accent to add texture to the rock face. The only thing that was missing was a splash of winter sun. I decided to wait. Five hours later, I got the break in the clouds I was waiting for. |
|
18
HT2414 - Going Back |
I've had two instances of going back to photograph again something I'd already done once before. It's often said that we can't go back. I think there is every reason in the world to go back, not the least of which is that things constantly change |
|
19
HT2415 - Thinking in Groups |
Yesterday in my Here's a Thought about Going Back, I inadvertently dropped a pretty big hint about thinking in groups. Where do we find the seeds for our projects? It all starts by thinking in groups. The most common group consists of a selection of images from a given location. Next are projects about a common subject. That's not the only way to group images into a project. |
|
20
HT2416 - The Most Important Thing We Need |
We photographers are always on the hunt for a subject, a new technique, better equipment, and more time. I've come to realize, however, that the most important thing we need is access. How many times have you driven past a gorgeous scene with beautiful light but there's no place to pull off the road to make a picture? Or there's a fence, or gate, or barrier, or a regulation that blocks us from the position we need to make the picture. |
|
21
|
22
|
23
|
24
|
25
|
26
|
27
|
28
|
29
|
30
|
31
|
|