Here are the individual podcasts. Click on the number to start playing in your browser. Right-click and "Save link as . . ." to download an individual podcast to your computer. You may also copy these files to your iPod or MP3 player for listening on the go.

• LW0603: Delight the Eye

• LW0602: Two Signatures

• LW0601: A Couple of Vicarious Lessons Learned

• LW0600: It's Not About You

• LW0599: Inside Out Marketing

• LW0598: Down the Rabbit Hole

• LW0597: Sleep On It

• LW0596: Steering Into Creativity

• LW0595: Of Space and Time

• LW0594: Technology and the New LensWork Blog

• LW0593: Multiple Venues

• LW0592: The Concept of Original Artwork in the Digital Age

• LW0591: The Source of Inspiration

• LW0590: Lessons from Julie & Julia

• LW0589: Rather Than Say Cheese

• LW0588: Advice from Stephen King

• LW0587: Practical New Year Resolutions

• LW0586: Post Holiday Inertia

• LW0585: China 7 — What Worked, What Didn't

• LW0584: China 6 — Video and Still Photography

• LW0583: China 5 — The Global Search for Easy Money

• LW0582: China 4 — Conceptual and Traditional Photography

• LW0581: China 3 — Making Connections With the People

• LW0580: China 2 — Permission to Make a Portrait

• LW0579: China 1 — The Universal Language of Photography

• LW0578: Japan 9 — The 2-percent Reward

• LW0577: Japan 8 — Field Work Versus Artmaking

• LW0576: Japan 7 — Travel Tips

• LW0575: Japan 6 — Paradigm Shift in the Field

• LW0574: Japan 5 — Following Your Nose

• LW0573: Japan 4 — Tanzaku

• LW0572: Japan 3 — Returning

• LW0571: Japan 2 — Winter Trees

• LW0570: Japan 1 — Fan Prints

• LW0569: The Enormity of a Project

• LW0568: Destination Unknown

• LW0567: Fear and the Source of Inspiration

• LW0566: A False Sense of Accomplishment

• LW0565: The Artmakers of the Future

• LW0564: Lost Family Photos

• LW0563: The Opposite of Discouragement

• LW0562: The Seduction of Potential

• LW0561: Five Bucks for a Signature

• LW0560: A Disconnect in the Rate of Change

• LW0559: Yearning for an Audience

• LW0558: The Pause Button

• LW0557: Engaging the World

• LW0556: Data Gathering in the Field

• LW0555: Previsualization, But Not in the Field

• LW0554: Three Points of View

• LW0553: Old Aesthetic, New Tools

• LW0552: Idiocy in the Marketplace

• LW0551: The Really Instant Critique

• LW0550: Editorial Workshops

• LW0549: Knowing The Thing

• LW0548: The Five Faces of Genius

• LW0547: This Ain't Your Parents' Photo Album

• LW0546: Turning Points in the History of Photography

• LW0545: If Only

• LW0544: When There is Nothing Left to Prove

• LW0543: The 10 Essentials in My Photo Vest

• LW0542: Preparing for an Overseas Trip

• LW0541: When Frames Cost More than the Print

• LW0540: The Obvious Isn't Always

• LW0539: The Gift of Our Time

• LW0538: So Long to a Few Old Friends

• LW0537: Searching for God in the Miniscule

• LW0536: Repeat After Me - Spotting is Fun

• LW0535: Examining Our Habits

• LW0534: PDF Workshop Excerpt 1

• LW0533: From Tin to Paper to Pixel

• LW0532: Time For Learning

• LW0531: The Sweet F-stops

• LW0530: Thou Shalt Draw the Line Somewhere

• LW0529: The Practice of Perfection

• LW0528: Practice Until It's Second Nature

• LW0527: Re-defining the Project

• LW0526: More Depth, Not Mere Repetition

• LW0525: The Unintended Interpretation

• LW0524: Tones and Interstices

• LW0523: Grain, I Miss You

• LW0522: The Rulers of Black and White

• LW0521: The Limited Palette

• LW0520: Meaning and Context

• LW0519: The Light of Truth

• LW0518: Life is Now

• LW0517: A Website Worth Visiting

• LW0516: Peer Groups, and a Variation on the Idea

• LW0515: The Physicality of a Photograph

• LW0514: Edward Weston's Gift to Us

• LW0513: Twenty Cameras, Thirty-Eight Years

• LW0512: New Routines, New Mistakes

• LW0511: Suffering

• LW0510: Managing Fear

• LW0509: A Blatant Plug for the PDF

• LW0508: My Aging Knees

• LW0507: Cleaning Days

• LW0506: The Hamster Wheel Spins, Again

• LW0505: The Correct Amount of Paranoia

• LW0504: The Value of Momentum

• LW0503: Through Your Eyes

• LW0502: Shakespeare's Talent

• LW0501: Bits Make Bites Make Meals

• LW0500: Podcast 500 . . . and Counting!

• LW0499: The So-called Normal Lens

• LW0498: The Creative Path

• LW0497: The Lost Podcast

• LW0496: The Improved Print

• LW0495: 35mm Equivalence

• LW0494: Background of the Print

• LW0493: 360 Degrees

• LW0492: A New Magazine On Color Photography

• LW0491: Getting Unstuck

• LW0490: Relative Tones and the Digital Advantage

• LW0489: Eighty

• LW0488: I Fear for the Beloved Print

• LW0487: Assume You'll Do It Twice

• LW0486: Learning, Photography, and Life

• LW0485: Pandora's Comfort Zone

• LW0484: 10000 Hours

• LW0483: The Next Big Time Art Photographer

• LW0482: Remembering Joe Sasak

• LW0481: The Myth of Tonal Control

• LW0480: Some Eclectic Odds and Ends

• LW0479: Update on the New 100 Prints Project

• LW0478: Refuse to Participate

• LW0477: Lightroom and the New 100 Prints Project

• LW0476: Jumping In

• LW0475: A New Camera for a New Vision

• LW0474: A Gallery Full of Bullhorns

• LW0473: Our Second-Rate Work

• LW0472: Single Images

• LW0471: Artist's Statements

• LW0470: How Many Is Too Many

• LW0469: Titlelessness

• LW0468: Things I Don't Miss

• LW0467: 22 Minutes

• LW0466: A Death That Pains Me Greatly

• LW0465: The Bear - And Who Got Whom

• LW0464: Beyond the Obvious

• LW0463: The Rhythm of Creativity

• LW0462: PBWA - A Serendipitous Strategy

• LW0461: The Seduction of Maps

• LW0460: An Experiment in Plein-air Photography

• LW0459: An Addition to My Pre-departure Checklist

• LW0458: WKRP in 2008

• LW0457: Another Opportunity Missed

• LW0456: Kokoro

• LW0455: Just the Right Amount of Ego

• LW0454: Jay Dusard on Composition

• LW0453: Big Talk or Big Walk

• LW0452: The Worst Record in All of Baseball

• LW0451: The Dilemma of the Dictionary Publishers

• LW0450: The Devil and Our Souls

• LW0449: The Devil and the Details

• LW0448: Color and the Specific Thing

• LW0447: The Ultimate Cliche Photograph

• LW0446: Idea and Artifact

• LW0445: How to Save $29,000

• LW0444: Foaming Handsoap Saved My Life

• LW0443: Your Summer Reading List

• LW0442: Brideshead Revisited, Part 3

• LW0441: Brideshead Revisited, Part 2

• LW0440: Brideshead Revisited, Part 1

• LW0439: Another Lesson From Breadmaking

• LW0438: Photography, Breadmaking, and Yeast

• LW0437: A Walk Down Memory Lane - with a Lesson Attached

• LW0436: It's a Small World

• LW0435: Thank you, Cornell Capa

• LW0434: Our Memory Machines

• LW0433: We Do What We Do

• LW0432: Up from the Muck

• LW0431: Garbage In, Nothing Out

• LW0430: Responding to Art 3 - Symbols

• LW0429: Responding to Art 2 - Mind and Intellect

• LW0428: Responding to Art 1 - Chocolate Cake and Photography

• LW0427: Archival Madness 2

• LW0426: Archival Madness 1

• LW0425: Folios 5 - Structure and Flexibility of Design

• LW0424: Folios 4 - Print Size

• LW0423: Folios 3 - Relationships

• LW0422: Folios 2 - The Problems of Binding Flat Prints

• LW0421: Folios 1 - Description

• LW0420: Talk at The Wilson Center for the Arts, Sep 2007

• LW0419: A Lesson from Video Editing

• LW0418: Bill Jay on Photography - Dot Com

• LW0417: Our Morphing World

• LW0416: Photography as Mind Meld

• LW0415: Resisting the Trend Toward Big Prints

• LW0414: The Big Money

• LW0413: God's Little Black Book

• LW0412: Which Ruler Should We Use?

• LW0411: Losing My Head in Japan

• LW0410: Photographic Pretension

• LW0409: Discretionary Pricing

• LW0408: Famous for Being Famous

• LW0407: That's Not What We Do

• LW0406: Retrospectives and Monographs

• LW0405: Considering Content, Considering Medium

• LW0404: The New Teachers

• LW0403: Retouching Cate Blanchett - and Yosemite

• LW0402: Promoting Photography as a Legitimate Art Form

• LW0401: Photography Festivals and Workshops

• LW0400: e-Paper, e-Ink, and e-Brooks

• LW0399: How to Make All Photographs Mediocre

• LW0398: Defining Your Audience

• LW0397: Magazines and Frequent Flyer Miles

• LW0396: Editing as Part of the Creative Process

• LW0395: Archival Prints in a Transitory World

• LW0394: Another Round of Tech Improvements

• LW0393: The Free Cheese and Photo Night

• LW0392: A Truly Impossible Project

• LW0391: The Receptive Mind

• LW0390: Beyond Our Own Ego

• LW0389: Made of Steel, Revisited #5

• LW0388: Made of Steel, Revisited #4

• LW0387: Made of Steel, Revisited #3

• LW0386: Made of Steel, Revisited #2

• LW0385: Made of Steel, Revisited #1

• LW0384: The Pace of Information

• LW0383: Bumper Sticker Depth

• LW0382: Brute Force

• LW0381: Three Photographers Who Inspire Me

• LW0380: Getting Out of a Creative Rut

• LW0379: Embracing the Learning Curve

• LW0378: Defining - and Measuring - Failure

• LW0377: Aggregate Gross Sales versus Single Item Profit

• LW0376: The Instant Artist

• LW0375: What the Coffee People Know That the Gallery People Don't

• LW0374: Just Beyond Your Limits

• LW0373: Fine Art -- by association

• LW0372: Observations from Photolucida

• LW0371: Jimmy Hamilton's Best

• LW0370: Sports Psychology and Photography

• LW0369: How I am Exactly Like Picasso

• LW0368: The Work of a Creative Photographer, Part 2

• LW0367: The Work of a Creative Photographer, Part 1

• LW0366: Getting Published

• LW0365: Advertising and the Signal to Noise Ratio

• LW0364: The Niche Within the Niche Within the Niche

• LW0363: Tony Bennett on The Essence of Art

• LW0362: Radio transcriptions

• LW0361: Special Editions Prints

• LW0360: My favorite f-stop

• LW0359: Posterity Chooses from The Known

• LW0358: The Trash Cans of Bali

• LW0357: Thinking In Groups With Lightroom

• LW0356: Fine Art Photography Today

• LW0355: The Act of Discovery

• LW0354: Characteristics of a Bad Photograph

• LW0353: How to Become a Successful and Famous Painter

• LW0352: Memories - Both Visual and Aural

• LW0351: Copyright Lessons From Don Quixote

• LW0350: Success Is Something You Earn

• LW0349: What Is the Black and White Equivalent of Angry Red?

• LW0348: What Makes a Good Fine Art Photograph?

• LW0347: In Praise of the Small Book

• LW0346: Reading to Your Cat

• LW0345: Lessons from the Antiques Roadshow

• LW0344: The Z Axis

• LW0343: Artificial Light x 4

• LW0342: A Self-Imposed Moratorium

• LW0341: An Example of How Genius Is Often Just a Happy Accident

• LW0340: Family Photos In the Digital Age

• LW0339: Making a Group Gathering Meaningful

• LW0338: Photography as a Personally Expressive Art

• LW0337: Intellectual Property Rights and Location Photography

• LW0336: Random Thoughts

• LW0335: Virginia Woolf on Creativity, Part 2

• LW0334: Virginia Woolf on Creativity, Part 1

• LW0333: Storytelling

• LW0332: The Private Collection of Edgar Degas - and Your Friends

• LW0331: The Intangibles

• LW0330: Intellectual Property

• LW0329: What Does It Mean That You've Signed Your Print?

• LW0328: The Public's Perception of Our Career

• LW0327: The Seduction of Potential

• LW0326: Internet Photography Docent - Where Art Thou?

• LW0325: Making Dark

• LW0324: There's Grey, and Then There Is Gray

• LW0323: The Hyper-World

• LW0322: The Big Combo

• LW0321: The Pursuit of Excellence

• LW0320: The 60-Second Monet

• LW0319: The Next (Difficult) Frontier

• LW0318: My Philosophy of Art In a Nutshell

• LW0317: Finding the Time to Create

• LW0316: Majoring in the Minors

• LW0315: Context, Part 2

• LW0314: Context

• LW0313: Art History and Art Movements

• LW0312: Some Old Contact Sheets

• LW0311: Motivations Versus Mechanics

• LW0310: How Much Detail Do You Need?

• LW0309: The Niche That Is Photography

• LW0308: Benny Goodman's Creative Dead-End

• LW0307: The Universal Itinerate Photographer Fantasy

• LW0306: The True Nature of Competition

• LW0305: Preservation

• LW0304: The Multi-Talented Artist

• LW0303: Photographing the Wind

• LW0302: Used Equipment and the Changing of the Guard

• LW0301: Creating In the Midst of Everyday Life

• LW0300: Graphic Layout and Design Skills

• LW0299: Sequencing, Meaning, and Comprehensibility

• LW0298: A World of Photography, Literally

• LW0297: The Value of Your Photographic Library

• LW0296: A New History of Photography

• LW0295: National Fine Art Photography Day

• LW0294: Artificial Lighting - Where No One (At Least Me) Has Gone Before

• LW0293: An Appreciation of the Non-Photographic Arts

• LW0292: The Importance of Archival Materials - A Woman in the Window

• LW0291: PDF Publishing: Media, Motivation, and Content

• LW0290: PDF Publishing: Some Practical Suggestions

• LW0289: PDF Publishing

• LW0288: The Wyoming Trip - What Worked and What Didn't

• LW0287: Fits and Starts

• LW0286: Podcast From Wyoming 4

• LW0285: Podcast From Wyoming 3

• LW0284: Podcast From Wyoming 2

• LW0283: Podcast From Wyoming 1

• LW0282: Three Gorges By Bill Zorn

• LW0281: Katrina and Photographic Ethics

• LW0280: Working With Professionals Professionally

• LW0279: The Time Frame of a Project

• LW0278: The Power of Deadlines

• LW0277: Artmaking, Podcasts, Popularity and Being True to Yourself

• LW0276: A Book I Won't Be Purchasing

• LW0275: Used Books, the Classics, and Photography

• LW0274: Editor, Where Art Thou?

• LW0273: Photographic Truth, Redux Infinitum

• LW0272: An Explosion of Panorama Images

• LW0271: Where Does the Creative Process Take Place Most Intently?

• LW0270: A Deluge of Graphics

• LW0269: The History of Photography Since 1950

• LW0268: The Decisive Landscape Moment

• LW0267: The Secondary Market

• LW0266: Workspace and Living Space

• LW0265: Ryan Scott Mach, Future Podcaster

• LW0264: The Impact of Technology on Contemporary Aesthetics

• LW0263: Do You Find Photography to Be Fun or Serious or Both

• LW0262: What Inspires You

• LW0261: The Courage of Your Buffoony Convictions

• LW0260: An Example of Why the Public Thinks Artists Are Buffoons

• LW0259: I Don't Like It - Okay, But Why?

• LW0258: The Courage of Your Convictions

• LW0257: Those Marvelous Contact Prints

• LW0256: Why I Became Interested In Photography

• LW0255: The Date of a Print

• LW0254: Redefining the Term Current Work

• LW0253: Why I Record Field Audio When I'm Out Photographing

• LW0252: Moving Backwards With Technology to That Wonderful Black and White

• LW0251: Great Photographers Can Succeed Even When the Printing Does Not

• LW0250: Nine Pounds

• LW0249: When Does Art Begin?

• LW0248: The Danger of Slipping Standards

• LW0247: When the Art Demands Your Attention

• LW0246: Anonymity

• LW0245: Renditions

• LW0244: Begin the Beguining

• LW0243: Six Hundred Pounds of Equipment

• LW0242: Why I Don't Mat My Own Work

• LW0241: The Thank-You You Deserve

• LW0240: Print Quality

• LW0239: Passion In the Old and New Media

• LW0238: October Seas Folio, Part 4

• LW0237: October Seas Folio, Part 3

• LW0236: October Seas Folio, Part 2

• LW0235: October Seas Folio, Part 1

• LW0234: The Checker Shadow Illusion

• LW0233: The Right Tool

• LW0232: How Work Fares With the Passage of Time

• LW0231: The Obvious Made Magical

• LW0230: Tea Toning

• LW0229: Recovering From Failures of Technology

• LW0228: Immersion as Composition

• LW0227: Now, Before It's Gone

• LW0226: Mountains and Pixels

• LW0225: Wright Morris

• LW0224: Tin Types In Print

• LW0223: 1000 Photographs

• LW0222: The Value of Interviewing People

• LW0221: Surrounding Ourselves With Excellence

• LW0220: Commitment as a Means to Fuel Competence

• LW0219: Photography and the Hurricane's Devastation

• LW0218: Steinway, Part 2

• LW0217: The Steinway Artist and the Large Format Photographer

• LW0216: Photographer as Egotist

• LW0215: Beethoven's Example to Us All

• LW0214: Art and Decor

• LW0213: Finishing Work For Exhibition

• LW0212: Photograph as Objet D'art

• LW0211: Typing, Keyboarding, and Photography

• LW0210: The Art Kit

• LW0209: Provenance 2

• LW0208: Provenance 1

• LW0207: Bach's Motivation

• LW0206: A Harmony of Tones

• LW0205: Listening to Johnny Hodges 50 Years Later

• LW0204: Remembering Film

• LW0203: Magnet Rails

• LW0202: The Importance of Structure

• LW0201: Learning By Doing

• LW0200: The Power of Totality

• LW0199: Between Chaos and the Predictable

• LW0198: Photography and the Human Condition

• LW0197: We Will Adapt

• LW0196: Talent Versus Technology

• LW0195: The Likelihood of Experimentation

• LW0194: The Death of Reciprocity Failure

• LW0193: If You Build It

• LW0192: Tomorrow 4: Reusing the Best Nuggets

• LW0191: Tomorrow 3: Helping Photographers In the Future

• LW0190: Tomorrow 2 -Following the Career of An Artist

• LW0189: Tomorrow 1: Good Content Can Survive a Variety of Media

• LW0188: How Brown Is the Perfect Warm Tone?

• LW0187: The Infection of Convention

• LW0186: Writers and Calligraphers, Photographers and the Darkroom

• LW0185: Photography and Fiction

• LW0184: Photography: The Nondextrous Art

• LW0183: The First Sunny Day of the Year

• LW0182: 150,000 Slides

• LW0181: Known For Ten, Famous For One

• LW0180: Postcards as Publicity

• LW0179: What's Left When You Can Print With Ease, at Will

• LW0178: Guilt and the Fallow Times

• LW0177: Alternative Copyrights

• LW0176: Black Densities

• LW0175: My 100 Books.Com

• LW0174: Honesty In Self-Critique

• LW0173: What Sheep Tend to Photograph

• LW0172: What Is History?

• LW0171: Humbuckers and Butyrate Bobbins

• LW0170: Lessons From a Bookseller

• LW0169: The Importance of An Analog Photography Foundation

• LW0168: Photo Lucida and Gelatin Silver

• LW0167: The Size That Feels Right For a Photograph

• LW0166: Instant Review In the Field

• LW0165: Top Lists

• LW0164: A Rose By Any Other Name

• LW0163: The Richness of a System

• LW0162: Thank You, David Gardner

• LW0161: So-Called Alternative Processes

• LW0160: What's Happening to the Galleries?

• LW0159: The Camera as Impediment to Seeing

• LW0158: Getting It Right, Getting It Done

• LW0157: The Original

• LW0156: How a Market For Collectible Artwork is Built, Part 2

• LW0155: How a Market For Collectible Artwork is Built, Part 1

• LW0154: The Camera Phone as News Tool

• LW0153: The Shoulders of Giants

• LW0152: People and Place Diptychs

• LW0151: The Naked Photograph

• LW0150: A Half An Hour of Darkroom Work

• LW0149: Pay the Price

• LW0148: Where Is the History of Photography?

• LW0147: Seeing When You're Not Looking

• LW0146: The Magazine Rack at Barnes and Noble

• LW0145: Unknown Symbols

• LW0144: Serial Publication

• LW0143: The Changing Nature of Magazines

• LW0142: Why I Don't Go to Gallery Openings

• LW0141: The Choice of Medium, Part 2

• LW0140: The Choice of Medium, Part 1

• LW0139: Inkjet as Printing Press

• LW0138: Beyond the Photographic Image

• LW0137: Photography and the Gift Recipient

• LW0136: Process Influences Product

• LW0135: My New Year's Resolution

• LW0134: Display Rails

• LW0133: To Be Uncompromising

• LW0132: Chip Away Philosophy

• LW0131: Use Each Medium For Its Strengths

• LW0130: Looking the Part

• LW0129: Being Prepared For Inspiration

• LW0128: Research

• LW0127: The Unknown Photographer

• LW0126: Listening to a Movie

• LW0125: Colors and Emotion

• LW0124: Muscle Memory

• LW0123: Mac Versus PC

• LW0122: Outtakes

• LW0121: My New Photography Vehicle

• LW0120: The Edward Weston Exhibit

• LW0119: Edges

• LW0118: The Demise of Double Take Magazine

• LW0117: Your Contemporaries

• LW0116: The Magic of It, Part 2

• LW0115: The Magic of It, Part 1

• LW0114: Once Again, It's Not About Gear

• LW0113: Paper Sensuality

• LW0112: Apprenticeship

• LW0111: Girl With a Pearl Earring

• LW0110: So Many Wonderful Photographers Are Out There

• LW0109: Using Your Image Database Creatively

• LW0108: Don't Bother Sending Prints

• LW0107: Single Image In a White, Bevel Mat

• LW0106: Purging Negatives

• LW0105: Passion

• LW0104: Fog

• LW0103: Remembering Some Recent Losses

• LW0102: My Top 10 Favorite Non-Photographic Tools

• LW0101: Why Are Photographs Quadrilaterals?

• LW0100: The Preciousness of It All

• LW0099: The Taboo Against Printing Other's Negatives

• LW0098: Good and Bad

• LW0097: Getting It Out of the Way

• LW0096: Van Morrison and Paul Caponigro

• LW0095: Ways of Learning

• LW0094: The Universal Icon For Photography

• LW0093: The Sequence of Things

• LW0092: The Photography Hall of Fame

• LW0091: The Golden Mean

• LW0090: Our Dependence on Materials

• LW0089: Making a Commitment and the Conflict That Is Inevitable

• LW0088: Playing Around

• LW0087: Living With It

• LW0086: Bullet Composition

• LW0085: Being Quiet

• LW0084: Archival Processing

• LW0083: Cartier-Bresson and the Decisive Moment

• LW0082: Aspect Ratios

• LW0081: Creativity on Demand

• LW0080: Frederick Evans and the Fleur-de-Lis

• LW0079: Blind Zip Code Junk Mail and Art Books

• LW0078: Facts and Opinions - Lens Testing

• LW0077: Multiple Palettes

• LW0076: Limbering Up

• LW0075: The Fantasy Market For Photographs

• LW0074: Door Openers

• LW0073: Confessing a Constructed Composite

• LW0072: Toys or Tools

• LW0071: What You See Is What I Took

• LW0070: Success Happens When Opportunity Meets Preparation

• LW0069: What's Left Behind

• LW0068: Photography In the Age of the Quick Cut

• LW0067: Seeing Art Through the Seasons

• LW0066: Looking Deeply

• LW0065: The Cassini Images

• LW0064: More Than a Mere Record

• LW0063: The Sketch Exercise

• LW0062: Explaining Artwork Is Not Necessarily a Bad Thing

• LW0061: Warm Tone Prints

• LW0060: Daily, Focused Discipline

• LW0059: More Evidence That Resistance Is Indeed Futile

• LW0058: Images on the Monitor or TV Screen

• LW0057: Being Introduced as a Photographer

• LW0056: Where Are the Photographers?

• LW0055: Mundane Events and Things

• LW0054: Organization

• LW0053: Abstracts Don't Sell

• LW0052: Resistance to a Lesson From Tokugawa Japan

• LW0051: A Legacy In Our Photographs

• LW0050: Meritocracy and the World of Changing Standards

• LW0049: Meritocracy and Publicity

• LW0048: Meritocracy and Grant Programs

• LW0047: It's Just What You Get Used To

• LW0046: Some Things Change, Some Stay the Same

• LW0045: Ryoanji

• LW0044: The Importance of White

• LW0043: Goals

• LW0042: Duotone Printing

• LW0041: Web Presses, Sheet-Fed Presses and Image Quality In Magazines

• LW0040: The Inkjet Booth For $650

• LW0039: And, Collectible Implies Within Reach

• LW0038: Everyone Collects Something

• LW0037: Shareware Photography

• LW0036: The Key to the Creative Life

• LW0035: Be Careful What You Ask For, You Might Get It

• LW0034: Thinking In Sets of Three

• LW0033: Another Museum In Financial Crisis

• LW0032: Feedback About Your Work, Part 2

• LW0031: Feedback About Your Work, Part 1

• LW0030: Separating the World You Work In From the World In Your Photograph

• LW0029: The Alternative Resource

• LW0028: Photography Is Not About Light

• LW0027: Illustrated Letters

• LW0026: Artspeak

• LW0025: Signing Your Prints

• LW0024: The Gift By Lewis Hyde

• LW0023: The Perfect Photograph

• LW0022: Taking Versus Making

• LW0021: How the Medium Determines the Answer

• LW0020: Gorgeous Fiberbase Gelatin Silver Paper

• LW0019: If the Negative Really Is the Score

• LW0018: Paul Strand, Galileo and the Ellipse

• LW0017: Who Soups the Prints

• LW0016: An Example of What Makes My Blood Pressure Rise

• LW0015: Old Negatives

• LW0014: Nothing Devastates a Wonderfully Grand Theory Like a Pesky Little Fact

• LW0013: The Primary Medium of Photography

• LW0012: The More Things Change the More Things Change

• LW0011: The Medium Is Only the Medium

• LW0010: Dersu Uzala and the Panorama Format Image

• LW0009: Book Remainders at Chapters

• LW0008: A Look Back at the 1990s

• LW0007: The Motivation of a Deadline

• LW0006: Bill Brandt

• LW0005: How Protozoans Led Me to Ansel Adams

• LW0004: The Market as a Source of Financing

• LW0003: You Can't Please All the People

• LW0002: Ages of the Photographers

• LW0001: First Post

The entire podcast collection in just a few ZIP files!

LensWork Podcasts 1-99
(83.5 megabytes, you will need to unzip this file after it has downloaded)

LensWork Podcasts 100-199
(84.7 megabytes, you will need to unzip this file after it has downloaded)

LensWork Podcasts 200-299
(130.3 megabytes, you will need to unzip this file after it has downloaded)

LensWork Podcasts 300-399
(169.3 megabytes, you will need to unzip this file after it has downloaded)

LensWork Podcasts 400-499
(165.4 megabytes, you will need to unzip this file after it has downloaded)

Yes, that's correct — 633 megabytes of MP3 files in the first 499 podcasts, totalling over 31 hours of audio about photography and the creative process, all for free. Enjoy!

And, yes, we will add the next 100 podcasts (starting with #500) as soon as we reach #600 sometime later this fall. In the meantime, numbers 500 and greater are still available via iTunes or from the links on this page. Instructions on how to subscribe to our latest podcasts via iTunes can be found here.

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